[49] The original song lacked a bridge and was deemed inferior to Houston's trademark vocals,[37] thus it was combined with the bridge from "One Foot, Other Foot" from Rodgers and Hammerstein's musical Allegro (1947). Rodgers & Hammerstein's Cinderella (also known as simply Cinderella) is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman.Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. Video Release: September 3rd, 2021 by Amazon Studios. [38] Cinderella has a conversation with the prince in which she explains that a woman should always be treated "like a person. "[26] Company alumna Veanne Cox and television actress Natalie Desselle, respectively, were cast as Cinderella's stepsisters. [44] Attributing most of the "magic" to Alexander, Peters and Goldberg, Rosenberg was unimpressed with Montalban and Houston, who he described as "pastel as a prince can get (although it's not his fault the character is written as a doofus)" and "not much of a fairy godmother", respectively. [16] Aware that the film could potentially be groundbreaking, Freedman, Zadan and Meron collaborated on several new ideas for the remake, among them ensuring that Cinderella "was defined by more than falling in love", providing her with her own story arc that is beyond simply finding a love interest. [12] Further development was inspired by the success of CBS' adaptation of the stage musical Gypsy (1993) starring Bette Midler which,[13][14] in addition to being credited with reviving interest in the genre,[14] Zadan and Meron had also produced;[15] CBS executive Jeff Sagansky asked Zadan and Meron to start brainstorming ideas for a follow-up shortly after Gypsy premiered. makes preparations for her two daughters to attend in the hope the Prince may choose one of them to be his. Order of credits adapted from Variety magazine and the British Film Institute:[2][3], Rodgers & Hammerstein's Cinderella was the third screen version of the musical. Cinderella adalah film fantasi romantis Amerika Serikat yang disutradarai oleh Kenneth Branagh, dengan skenario ditulis oleh Chris Weitz.Diproduseri oleh David Barron, Simon Kinberg dan Allison Shearmur untuk Walt Disney Pictures, kisah film ini terinspirasi oleh dongeng Cinderella karya Charles Perrault, dan menggunakan nama-nama karakter dari film Walt Disney tahun 1950 berjudul sama. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. Yet to be impressed with any of the young women he meets, including Cinderella's Stepsisters, Christopher is growing weary until Cinderella arrives, and the pair instantly start dancing much to the annoyance of Cinderella's stepfamily, who can't help but feel that the unidentified princess is familiar. What better message could we send than that? Disney's 1997 adaptation of Rodgers and Hammerstein's Cinderella was a dream come true for executive producer Whitney Houston (originally tapped to play Cindy herself) and for Black girls . [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. [25] The Los Angeles Times critic Howard Rosenberg wrote that the prince's inability to recognize that some of the women trying on the glass slipper in his search for Cinderella are white as part of "what makes this "Cinderella" at once a rainbow and color-blind, a fat social message squeezed into a dainty, glass slipper of a fable. [55] Although its original melody is retained, the music producers adapted the waltz into a "frenetic Latin-tinged number in duple meter" more suitable for the conniving character. [28] A BET biographer referred to the production as a "phenomenon" whose cast "broke new ground. [20] Houston described her character as "sassy, honest and very direct all the things that you'd like a godmother to be. [20] Furthermore, Alexander insisted that Lionel be different from his Seinfeld character George Costanza, despite Freedman originally writing several in-jokes that alluded to Alexander's most famous role, prompting him to revise several of the actor's scenes accordingly. However, development was delayed for several years, during which time the network grew disinterested in the project. New condition. Worldwide$10,000,000. Cinderella will waltz into the hearts of the entire family and live happily ever after as one . "[104] Leonard also praised the actors' musical performances, particularly Peters' "Falling in Love with Love", but admitted that he prefers the songs used in Disney's 1950 animated adaptation of the fairy tale. [4], By the late 1990s, Disney had grown interested in reviving their long-running anthology program The Wonderful World of Disney. [16] In a final attempt to earn Houston's approval, Meron and Zadan enlisted Broadway actors to perform a read-through for the singer, namely La Chanze as Cinderella, Brian Stokes Mitchell as the prince, Theresa Meritt as the Fairy Godmother and Dana Ivey as the Stepmother. Nel 2016, la Walt Disney Pictures aveva riacquistato i diritti cinematografici de Le cronache di Prydain, da cui tratto il film d'animazione Taron e la pentola magica, con l'intenzione di adattare la serie di libri in una serie di film live-action: il progetto risultava essere in fase di sviluppo iniziale presso i Walt Disney Studios senza ancora alcun regista . Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Parents need to know that Rodgers and Hammerstein's Cinderella is a 1997 TV movie adaptation of the popular 1957 TV musical (itself based on the classic Charles Perrault fairy tale).While the film does include bullying, name-calling ("stupid," "lazy"), and comical slapstick -- including drunkenness played for laughs in one musical number -- it's very kid-friendly overall. Box Office. Cinderella: Dirigido por Robert Iscove. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. [55], Rodgers & Hammerstein's Cinderella was the first of the three versions of the musical to be shot on film. [66], The film's costumes were designed by Ellen Mirojnick, who aspired towards making them "both funny and stylish" in appearance. [122] According to Zadan, Cinderella's success "helped secure a future for musicals in the 'Wonderful World of Disney' slot", whose film company Storyline Entertainment started developing new musicals for the series shortly afterward, including Annie (1999). [37] Mary described the completed song as "Whitney-fied". Rodgers & Hammerstein's Cinderella: Musical: Video: $0 : November 7: Cold Around the Heart . NEW Barbie as Cinderella 1997 Doll box missing but never removed from cardboard. MPAA Rating: PG for suggestive material and language. Ginsburg. Budget $95,000,000. These behind the scenes facts about "Cinderella" (1997) will make you want to rewatch it even more. [35][72] Rodgers & Hammerstein's Cinderella was a major ratings success, breaking several television records much like the original did. Cinderella currently has a score of 97% on Rotten Tomatoes. At Lionel's suggestion, Constantina and Maximillian compromise that should Christopher not be successful in choosing a bride at the ball, he be allowed to find one on his own terms. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. . [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time. [23] Brandy had been starring on the sitcom Moesha at the time but was still relatively new to television audiences, despite her success as a recording artist. Cinderella opera rossini hairy redhead pussy close up sinden light gun setup launchbox. 16. [47] Den of Geek ranked the film the second best "Cinderella" adaptation, describing it as "the first time the story truly felt magical" and writing "Almost twenty-five years later, this adaptation still feels like the television event it was when it premiered. [80] The broadcast attracted a particularly high number of younger audience members, including children, teenagers and young adults, in turn making Cinderella the television season's most popular family show. [8] The telecast was remade in 1965 starring Lesley Ann Warren,[9][10][11] airing annually on CBS from 1965 to 1972. [45] Peters' stepmother was adapted into a more comical version than previous incarnations of the character due to the actress' comedic background. '", citing its diverse cast, combating of sexist stereotypes often depicted in other Disney films, and empowering themes that encourage children to make their own dreams come true as opposed to simply "keep on believing" among "three important reasons the 1997 version has maintained relevance today. The film made $542 million worldwide, Branagh's biggest box office haul to date as a director. "[134] On February 11, 2021, the day prior to the film's premiere on Disney+, Entertainment Weekly held a virtual reunion with the surviving principal cast members. "[2] While praising Brandy's subtlety, Richmond found Houston's interpretation of the Fairy Godmother to be an overzealous, "frightening caricature, one certain to send the kids scurrying into Mom's lap for reassurance that the good woman will soon go away. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. [37] Zadan and Meron wanted Houston to end the film with a wedding song for Cinderella and Christopher. [21] Although the stage musical Annie had already been adapted as a film in 1982, the film was considered to be a critical and commercial failure. [87] On February 14, 1999 (Valentine's Day), ABC re-aired the film,[21] which was watched by 15 million viewers. [42][46] The filmmakers agreed that Alexander deserved his own musical number due to his experience as a musical theatre performer, and decided to combine the Steward's "Your Majesties" with the Town Crier's "The Prince is Giving a Ball" from the original musical into an elaborate song-and-dance sequence. [63] According to A. J. Jacobs of Entertainment Weekly, the film's budget was approximately four-times that of a typical television film. Theater box office or somewhere else Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. In the end, Cinderella and the Prince marry in a grand ceremony, while the palace gates close on her stepfamily, forcing them to watch from outside. [15], The diversity of the cast prompted some members of the media to dub the film "rainbow 'Cinderella'",[13][103][112] Laurie Winer of the Los Angeles Times summarized that the film's cast "is not just rainbow, it's over the rainbow", observing that "the black queen (Goldberg) and white king (Victor Garber), for instance, produce a prince played by Filipino Paolo Montalban" while "Cinderella withstands the company of a white stepsister (Veanne Cox) and a black one (Natalie Desselle), both, apparently, birth daughters of the mother played by Bernadette Peters. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. [17][26] Brandy, who identified "Cinderella" as her favorite fairy tale,[19] was the first person of color to portray the character on screen,[17][27] with both Brandy and Houston becoming the first African-American actresses to play their respective roles in any screen adaptation of the fairy tale,[28][29] although an all-Black modern-day re-telling of "Cinderella" entitled Cindy had premiered in 1978. [102] Despite calling the supporting cast "unusually strong", the critic felt Brandy and Houston acted too much like their own selves for their performances to be considered truly compelling. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. One of the best Disney movies from the 90s, 101 Dalmatians live-action is based on the book by Dodie Smith. [79] Similarly, Bert Fink of the Rodgers & Hammerstein Organization said that the program's ratings will most likely "have a salubrious effect on" the future of television musicals. [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. Widest Release 3,848 . [90] Essence's Deena Campbell credited the singer with "inspiring other young girls to be Black Cinderellas". "[102] McDonagh observed that the color-blindness of the entire cast spares the film from potentially suffering "disturbing overtones" that otherwise could have resulted from images of an African-American Cinderella being mistreated by her Caucasian stepmother. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. 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